Food & Wine Pros

In praise of bin end clubs
Anyone who buys wine on a regular basis will be familiar with the frustrating experience of discovering undrunk bottles lurking at the bottom of a rack that should in theory be long past their best. They’re too good for everyday drinking yet too uncertain to serve to guests. And if they have survived they may be, frankly, slightly weird. Old wine is not to everyone’s taste.
We were talking about this at dinner with friends and decided we should form a Bin End Club which would meet every couple of months and crack open some of these potential treasures. I should own up that the friends are chefs and restaurant owners who have acquired some pretty special bottles in their time. It wasn’t a case of plunging into a 20 year old bottle of Blossom Hill. But the rule was we would each bring standbys so we didn’t have to drink the undrinkable.
We held our inaugural dinner recently, kicking off with a bottle of 1995 Mumm Cordon Rouge which had survived remarkably well despite the shrunken cork, retaining its fizz and acquiring a delicate honeyed character. It even stood up to a very rich pheasant liver paté Stephen had rustled up from some birds he’d been prepping for a private client.
With the starter of beetroot risotto we cracked open a 2000 Adelaide Hills chardonnay and a 2001 white Chateau Musar. The former had rather lost its balance but the Musar, clearly designed for the long haul, was fantastic - slightly oxidised (as it would have been at the beginning of its life) but perfect with the earthy flavours of the beetroot.
Stephen then upped the ante with a bottle of 1986 Mouton Rothschild he’d been given by a customer - hardly a bin-end for a wine of that quality. Still intense, dark and velvety. The younger Majorcan wine we drank alongside it didn’t have a chance. That was with a simple rustic dish of pot roast partridge, lentils and cabbage - a good foil for an old red.
On a roll by this time we decided to crack a bottle of 1978 Paul Jaboulet Ainé Hermitage with the cheese - which Stephen had sensibly limited to two, a Gorwydd Caerphilly and a Tunworth, neither particularly wine-hostile. Again it was perfect: still full, savoury and gamey.
No dessert, just some boozy cherries in brandy, also a bin end of sorts, which Stephen had made six or seven years ago. We seem to have opened a bottle of Veuve Clicquot Rich Reserve at this point - at least I have a picture of it. I assume we drank it ….
You may of course be thinking - that’s all very well for them but I don’t have wines of this quality but the dinner would have been just as interesting if not quite as just as spectacular if we hadn’t. My experience is that when you dip into old wines there’s a 60% chance that the wine will be drinkable and often much better than you expect. I’ve tasted quite simple Australian reds at 7-8 years that have still been astonishingly vibrant and even generic village Chablis can age 15 years or more.
We plan to meet again in the new year when I’ll be the host. (The idea is that we take it in turns to host the event not so much for the cooking - we share the load - as the daunting amount of glasses to wash up afterwards) I quite fancy restricting it to ‘new world’ wines to see how they fare. As we did this time we’ll restrict the numbers to a maximum of 8 so that everyone gets a taste of each wine. In fact we were six which is even better.
If you set up your own Bin End Club do let me know and tell me what you eat and drink. If you can remember … ;-)
This article was first published in April 2018.

What kind of food should you serve with fine wine?
Most of the time we’re pairing wine and food it’s the food that comes first but for people in the trade it’s more often about what food will flatter the wine. But how do you ensure a successful match?
I went to two top end wine dinners last week which took different approaches to the task. The first a tasting and dinner hosted simultaneously in Brussels, Hamburg and London by the Bureau Interprofessionel des Vins de Bourgogne showcased premier crus, especially Chablis, Meursault and Gevrey-Chambertin.
They decided on a four course menu with effectively two main courses - roast breast of chicken with pearl barley and vegetable risotto to showcase Maison Albert Bichot’s Domaine du Pavillon 2010 Meursault les Charmes and seared rump of lamb with borlotti bean, marrow and confit tomato cassoulet to go with a 2013 Gevrey-Chambertin Clos Prieur from Maison Louis Max.
The first course, which was paired with Nathalie and Gilles Fèvre’s 2010 Chablis Vaulorent was a a dish of very lightly cooked smoked fish with chive and lemon creme fraiche and ‘young leaves and shoots’
Picking out the flavours of the wines
Clearly the thinking had been to come up with pairings based on the flavours that could be found in or which complemented the wines. A trace of smokiness in the Chablis, for example, mirrored that in the fish, the cream offset it and the citrus picked up on the still fresh acidity of the wine. Chicken is invariably a safe bet with chardonnay so they were on solid ground with the Meursault, though the glazed shallot was an imaginative touch which particularly flattered the wine.
Interestingly a similar ingredient appeared in the other dinner, a very glamourous affair hosted in the Berry Bros & Rudd directors’ dining room. Here the caramelized note was provided by the glazed endive that was served in the first course with duck pastrami and crisp little gorgonzola fritters which picked up the rich golden character of the two 2004 burgundies they served, a La Sève du Clos Meursault from Arnaud Ente and a Le Montrachet Grand Cru from Domaine des Comtes Lafon. A particularly bold pairing that could only have come from road-testing the match with the wine or one very similar to it.
Should you save the best wine for the cheese?
Given they had both red burgundy and bordeaux to show off they went for the classic French solution of serving the burgundies - a 1999 Jacques-Frederic Mugnier Chambolle Musigny and a 1999 Gevrey-Chambertin Clos St Jacques from Domaine Armand Rousseau - with the main course (roast saddle of lamb with anchovy, parsley and mint) and the bordeaux with the cheese which I seem to recall, though things were slightly hazy by this stage, were a Rollright, a washed rind cheese made in the style of a Reblochon, a punchy Lincolnshire Poacher and a Shropshire Blue. Personally I found they didn’t really do the wines - a fragile 1945 (NO, that’s not a misprint - 1945!) Clos Fourtet St Emilion and an utterly glorious 1990 Chateau Margaux (for me the wine of the evening) many favours but what do you do? The sort of people who dine at Berry’s (mainly chaps of a certain age, I imagine) no doubt both expect cheese and to drink the best reds in the house with it. Personally I’d rather go with beef or lamb and if I had to serve cheese pick just one but again guests expect a proper cheeseboard, regardless of whether its contents detract from the wine or not. It’s a dilemma.
The burgundies did work beautifully with the lamb however.
Should you serve a sweet wine?
Desserts were also handled differently. Given that burgundy doesn’t produce sweet wine the BIVB didn’t serve anything with the refreshing lemon and honeycomb mousse they picked, which was accompanied by poached fruit, brown sugar meringue and almond brittle. It worked fine - you didn’t really need one - but an alternative might have been to serve a liqueur from the region from someone like Gabriel Boudier.
At Berry Brothers they decided to use the dessert course as a platform to show off a very special port - the Graham’s 90 Very Old Tawny Port that had been specially bottled to celebrate the Queen’s 90th birthday that happened to be that day (what a treat!). They boldly paired it with a chocolate delice with passion fruit curd and ginger ice cream which worked surprisingly well - it was still extraordinarily vibrant - though the cheese - especially the Shropshire Blue - would have worked too.
Apart from the use of caramelisation, one of the other interesting things I noted was the use of bitter ingredients, particularly in the main course lamb dish at the burgundy dinner which included olives, capers and preserved lemon - all of which tend to heighten the fruit in older wines. Other dishes employed anchovy, cavolo nero and rosemary to similar effect. Care was taken though not to overwhelm any of the dishes with over-flavourful vegetables or intense jus which could have knocked the stuffing out of these spectacular vintages.
Ideally you would have a run-through before a dinner of this kind but with old, rare and possibly priceless wines that might well not be possible. The key thing I think is to make sure the chef and front of house team both try the wines being poured with the food so they can consign it to their palate memories for a future occasion.
(Incidentally a neat trick from Berry Bros. They marked both the menu and the glasses with coloured dots so you could remember, in your befuddled state, which glass was which!)
I attended the dinners as a guest of the BIVB and Berry Bros & Rudd respectively.
Main image credit: Kerstin Riemer from Pixabay

How to host a wine pairing dinner
Ollie Couillaud’s inaugural wine dinner at The Lawn Bistro in Wimbledon, west London yesterday was a masterclass in how to get it right.
First of all he only had four courses. Too many wine dinners these days have multiple small courses, challenging for the kitchen and sommelier, wearying and unsatisfying for the customer (particularly male customers, it has to be said) who want a ‘proper’ meal - and are entitled to have one for the money they’re paying.
Two wines (all burgundies) were served with every course - except the aperitif and the dessert. That gave the presenter, Master Sommelier Gearoid Devaney of Flint Wines something interesting to talk about and the attendees a chance to learn more about this complex and confusing region. They were also from different producers and vintages.
The menu was well chosen. That should go without saying but sometimes the chef’s ego gets in the way of showcasing the wines to best effect.
We kicked off with some clever ‘amuses’ including the most wicked, silky-textured chicken liver parfait I’ve ever eaten which were served with a glass of 2009 Domaine Ballot Millot Bourgogne Blanc from vineyards which border Meursault, showing how impressive basic burgundy can be in the hands of a good producer.
Next a sound choice of seared scallops and black pudding with Granny Smith apple purée and lentil and hazelnut vinaigrette - a great foil for two lovely white burgundies, a 2009 St Aubin 1er Cru Charmois from Domaine Paul Pillot and a 2010 Chassagne-Montrachet from Domaine Moreau. The Moreau was still incredibly young but opened up beautifully in the glass.
The main course of roast squab pigeon with foie gras, Jerusalem artichoke purée, fondant potato and port and orange sauce looked challenging on paper but worked amazingly well with both the 2005 Aloxe-Corton Domaine Lebreuil and 2008 Beaune 1er Cru Les Sizies Domaine Guiton that were served with it, the lighter, more elegant Beaune, surprisingly, having the edge over the richer, earthier Aloxe-Corton.
And the dessert was served simply on its own - a croustade of caramelised apples with vanilla ice cream with a show-stopping crisp pastry cone which covered it like a witch’s hat as it was brought to the table. No accompanying wine as burgundy doesn’t do sweet wines. We didn’t miss it.
The numbers were kept low (25) to give the kitchen a chance to adjust to serving banqueting style rather than the normal restaurant service and the price was a fair £95 for the quality and amount of food and drink that was served.
The guests went away asking when the next dinner would take place. Couillaud clearly has a ready-made fan base for future events.
I attended the dinner as a guest of The Lawn Bistro.
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